<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" >

<channel><title><![CDATA[Petronio Bendito: Natural Disaster Color - Blog]]></title><link><![CDATA[https://www.naturaldisastercolor.net/blog]]></link><description><![CDATA[Blog]]></description><pubDate>Fri, 17 Apr 2026 02:53:23 -0700</pubDate><generator>Weebly</generator><item><title><![CDATA[Inceptionism: Going Deeper into Neural Networks]]></title><link><![CDATA[https://www.naturaldisastercolor.net/blog/inceptionism-going-deeper-into-neural-networks]]></link><comments><![CDATA[https://www.naturaldisastercolor.net/blog/inceptionism-going-deeper-into-neural-networks#comments]]></comments><pubDate>Sat, 20 Jun 2015 18:26:31 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.naturaldisastercolor.net/blog/inceptionism-going-deeper-into-neural-networks</guid><description><![CDATA[       Image: google research blog reports that "neural networks that were trained to discriminate between different kinds of images have quite a bit of the information needed to&nbsp;generate&nbsp;images too."  In this outstanding paper, Google reports that "The techniques presented here help us understand and visualize how neural networks are able to carry out difficult classification tasks, improve network architecture, and check what the network has learned during training." This understandi [...] ]]></description><content:encoded><![CDATA[<div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.naturaldisastercolor.net/uploads/6/6/8/9/6689706/5559555_orig.png" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:center;"><font size="1">Image: google research blog reports that "<span style="color: rgb(68, 68, 68); font-family: arial, sans-serif; line-height: 18.2000007629395px; text-align: start;">neural networks that were trained to discriminate between different kinds of images have quite a bit of the information needed to&nbsp;</span><em style="color: rgb(68, 68, 68); font-family: arial, sans-serif; line-height: 18.2000007629395px; text-align: start;">generate</em></font><span style="color: rgb(68, 68, 68); font-family: arial, sans-serif; line-height: 18.2000007629395px; text-align: start;"><font size="1">&nbsp;images too."</font></span></div>  <div class="paragraph" style="text-align:left;">In this outstanding paper, Google reports that "The techniques presented here help us understand and visualize how neural networks are able to carry out difficult classification tasks, improve network architecture, and check what the network has learned during training." This understanding raises question about the human condition. The article concludes by saying that "It also makes us wonder whether neural networks could become a tool for artists&mdash;a new way to remix visual concepts&mdash;or perhaps even shed a little light on the roots of the creative process in general." I believe that the act of transposing is a fundamental survival mechanism of the mind, not only a creative one. The process of my Natural Disaster Color series is a reminder that, as humans, we are constantly processing and transforming that which we experience -- hopefully for better.&nbsp;<br /><br />[<a href="http://googleresearch.blogspot.com/2015/06/inceptionism-going-deeper-into-neural.html" target="_blank">read full article]</a></div>]]></content:encoded></item><item><title><![CDATA[Disney on Preparedness ]]></title><link><![CDATA[https://www.naturaldisastercolor.net/blog/disney-on-preparedness]]></link><comments><![CDATA[https://www.naturaldisastercolor.net/blog/disney-on-preparedness#comments]]></comments><pubDate>Tue, 28 Apr 2015 09:43:24 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.naturaldisastercolor.net/blog/disney-on-preparedness</guid><description><![CDATA[The Walt&nbsp;Disney&nbsp;Company and the American Red Cross are partnering this month to help children and their families prepare for emergencies. And what better time to do this than during the month of September, which is National Preparedness Month, a nationwide initiative to prepare yourself and those in your care for emergencies and disasters.(Examiner.com)http://www.examiner.com/article/disney-encourage-kids-and-parents-to-be-prepared [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;"><span style="">The Walt&nbsp;</span><a href="http://www.examiner.com/topic/disney" style="">Disney</a><span style="">&nbsp;Company and the American Red Cross are partnering this month to help children and their families prepare for emergencies. And what better time to do this than during the month of September, which is National Preparedness Month, a nationwide initiative to prepare yourself and those in your care for emergencies and disasters.(Examiner.com)</span><br /><span style=""><br /></span><br /><span style=""><a href="http://www.examiner.com/article/disney-encourage-kids-and-parents-to-be-prepared" target="_blank">http://www.examiner.com/article/disney-encourage-kids-and-parents-to-be-prepared</a><br /></span></div>]]></content:encoded></item><item><title><![CDATA[Older but still relevant to the discussion]]></title><link><![CDATA[https://www.naturaldisastercolor.net/blog/older-but-still-relevant-to-the-discussion]]></link><comments><![CDATA[https://www.naturaldisastercolor.net/blog/older-but-still-relevant-to-the-discussion#comments]]></comments><pubDate>Tue, 28 Apr 2015 06:23:10 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.naturaldisastercolor.net/blog/older-but-still-relevant-to-the-discussion</guid><description><![CDATA[FEMA pulls 'A Scary Thing Happened' kids coloring book which depicts Sept. 11 scene of WTC burningBY&nbsp;BENJAMIN PEIM&nbsp;,&nbsp;CORKY SIEMASZKO&nbsp;&nbsp;DAILY NEWS STAFF WRITERS&nbsp;Wednesday, April 29, 2009, 3:49 PM[ read ] [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">FEMA pulls 'A Scary Thing Happened' kids coloring book which depicts Sept. 11 scene of WTC burningBY&nbsp;<br /><a href="http://www.nydailynews.com/authors?author=Benjamin-Peim" style="">BENJAMIN PEIM&nbsp;</a>,&nbsp;<a href="http://www.nydailynews.com/authors?author=Corky-Siemaszko" style="">CORKY SIEMASZKO&nbsp;</a><br /><span style="">&nbsp;</span>DAILY NEWS STAFF WRITERS<br /><br /><span style="">&nbsp;</span>Wednesday, April 29, 2009, 3:49 PM<br />[ <a href="http://www.nydailynews.com/news/fema-pulls-scary-happened-kids-coloring-book-depicts-sept-11-scene-wtc-burning-article-1.359820" target="_blank">read</a> ]</div>]]></content:encoded></item><item><title><![CDATA[Exhibition Review: Journal and Courier]]></title><link><![CDATA[https://www.naturaldisastercolor.net/blog/exhibition-review-journal-and-courrier]]></link><comments><![CDATA[https://www.naturaldisastercolor.net/blog/exhibition-review-journal-and-courrier#comments]]></comments><pubDate>Thu, 05 Jun 2014 14:31:38 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.naturaldisastercolor.net/blog/exhibition-review-journal-and-courrier</guid><description><![CDATA["Out of (natural) disasters' darkness, bright, hopeful color" by Tom Shafer.also online at jcoline.        [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">"Out of (natural) disasters' darkness, bright, hopeful color" by Tom Shafer.<br />also online at <a href="http://www.jconline.com/story/entertainment/arts/2014/06/04/tom-shafer/9917861/" target="_blank">jcoline</a>.</div>  <div><div class="wsite-image wsite-image-border-thin " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.naturaldisastercolor.net/uploads/6/6/8/9/6689706/6926765_orig.jpg" alt="Picture" style="width:100%;max-width:1100px" /> </a> <div style="display:block;font-size:90%"></div> </div></div>]]></content:encoded></item><item><title><![CDATA[Natural Disaster Color at the Art Museum of Greater Lafayette: May 9 – September 7, 2014]]></title><link><![CDATA[https://www.naturaldisastercolor.net/blog/natural-disaster-color-at-the-art-museum-of-greater-lafayette-may-9-september-7-2014]]></link><comments><![CDATA[https://www.naturaldisastercolor.net/blog/natural-disaster-color-at-the-art-museum-of-greater-lafayette-may-9-september-7-2014#comments]]></comments><pubDate>Tue, 06 May 2014 08:02:23 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.naturaldisastercolor.net/blog/natural-disaster-color-at-the-art-museum-of-greater-lafayette-may-9-september-7-2014</guid><description><![CDATA[PETRONIO BENDITO:NATURAL DISASTER COLORDigital Printmaking &bull; Projection &bull; &nbsp;InstallationMay 9 &ndash; September 7, 2014Opening reception: May 9, 6:30-8:30 PMMcDonald Gallery &bull; Art Museum of Greater Lafayette102 S. 10th St. &bull; Lafayette, IN 47901 &bull; &nbsp;(765) 742-1128&nbsp;Open daily 11am-4pm &bull; Closed Holidays &bull; &nbsp;artlafayette.org        [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">PETRONIO BENDITO:<br />NATURAL DISASTER COLOR<br /><em>Digital Printmaking &bull; Projection &bull; &nbsp;Installation<br /></em><br />May 9 &ndash; September 7, 2014<br />Opening reception: May 9, 6:30-8:30 PM<br /><br />McDonald Gallery &bull; Art Museum of Greater Lafayette<br />102 S. 10th St. &bull; Lafayette, IN 47901 &bull; &nbsp;(765) 742-1128&nbsp;<br />Open daily 11am-4pm &bull; Closed Holidays &bull; &nbsp;artlafayette.org<br /><br /></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:left"> <a href='https://www.naturaldisastercolor.net/uploads/6/6/8/9/6689706/8241000_orig.jpg?373' rel='lightbox' onclick='if (!lightboxLoaded) return false'> <img src="https://www.naturaldisastercolor.net/uploads/6/6/8/9/6689706/8241000.jpg?373" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>]]></content:encoded></item><item><title><![CDATA["Best of Show" Award]]></title><link><![CDATA[https://www.naturaldisastercolor.net/blog/best-of-show-award]]></link><comments><![CDATA[https://www.naturaldisastercolor.net/blog/best-of-show-award#comments]]></comments><pubDate>Fri, 11 Oct 2013 00:37:52 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.naturaldisastercolor.net/blog/best-of-show-award</guid><description><![CDATA["Color Code 0025: Algorithmic Lines" (left) received the Best of Show award in the Digital Printmaking Art Show (from the "Color Code | Algorithmic Lines" series.&nbsp;25"x25",&nbsp;ink on archival canvas, framed)&nbsp;         Artworks at the UPS store prior to shipping (September, 2013)Balance amid chaos; power and struggle; color and darkness; mechanical and spontaneous; being and not being...&nbsp;Petronio Bendito (via Facebook)      Below is a copy of the exhibition press release:FOR IMMEDI [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">"Color Code 0025: Algorithmic Lines" (left) received the Best of Show award in the Digital Printmaking Art Show (from the "Color Code | Algorithmic Lines" series.&nbsp;25"x25",&nbsp;ink on archival canvas, framed)&nbsp;<br /></div>  <div><div class="wsite-image wsite-image-border-thin " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.naturaldisastercolor.net/uploads/6/6/8/9/6689706/1674015_orig.jpg" alt="Picture" style="width:100%;max-width:1100px" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;"><font color="#515151"><font size="1">Artworks at the UPS store prior to shipping (September, 2013)</font><br /><font size="1">Balance amid chaos; power and struggle; color and darkness; mechanical and spontaneous; being and not being...&nbsp;</font><br /><font size="1">Petronio Bendito (via Facebook)</font></font><br /></div>  <div><div style="height: 20px; overflow: hidden; width: 100%;"></div> <hr class="styled-hr" style="width:100%;"></hr> <div style="height: 20px; overflow: hidden; width: 100%;"></div></div>  <div class="paragraph" style="text-align:left;">Below is a copy of the exhibition press release:<br /><br /><strong>FOR IMMEDIATE RELEASE&nbsp;&nbsp;</strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br />October 3, 2013<br /><br /><strong>LOWELL'S FIRST EVER DIGITAL PRINTMAKING SHOW&nbsp;</strong><br /><span style=""></span>  <strong style="">AT LTC'S GALLERY THIS MONTH</strong><br /><span style=""></span><br /><span style=""></span>    LOWELL, Mass. -- From September 23- November 1, digital artwork from across the country is on view at LTC's downtown gallery.&nbsp; The show, entitled Digital Art: Printmaking 2013, is part of Lowell Celebrates Printmaking, a city-wide exposition in conjunction with the Boston Printmakers Biennial. <br /><span style=""></span><br /><span style=""></span>  The show features work created in a number of digital platforms, blending art made using photographs, programs such as Illustrator, stills from video animation, and more. The result is an array of art that takes everyday images and turns them on their heads. <br /><span style=""></span><br /><span style=""></span>  LTC's goal in putting this show together was to showcase new techniques in the traditional craft of printmaking. <br /><span style=""></span><br /><span style=""></span>  The show was juried by Jim Jeffers, an intermedia artist and designer working with computer mediation, web-art, performance, photography and video in conjunction with conventional media. Jim teaches, exhibits and performs across the United States and internationally.&nbsp; His most recent post was as Assistant Professor of Art &amp; Design at UMASS Lowell. <br /><span style=""></span><br /><span style=""></span>  The best in show prize was awarded to Petronio Bendito for his work, Color Code 0025: Algorithmic Lines. Honorable mention was awarded to Patty Harris for her piece, Case Study No. 21_1. <br /><span style=""></span><br /><span style=""></span>  Artists featured in the show include: Stephen Clements, Eileen Ryan, Dan Rocha, Mari Weinberg and Noredin Morgan of Massachusetts; Petronio Bendito of Indiana; Robert Spahr of Illinois, Cyane Tornatzky of Colorado; Patty Harris of New York; and Daehwan Cho of Idaho. <br /><span style=""></span><br /><span style=""></span>  Digital Art: Printmaking 2013 is one of 8 printmaking shows featured in Lowell as part of Lowell Celebrates Printmaking. This is the only show to feature digital art. Other participating Lowell galleries include: 119 Gallery, ALL Arts Gallery at Gates Block, American Textile History Museum, Ayer Lofts Gallery, Brush Gallery &amp; Artists' Studio, Whistler House Museum of Art, and Zeitgeist Gallery. <br /><span style=""></span><br /><span style=""></span>  <strong style="">An artists' reception will be held on October 26th from 2-4 PM at LTC, 246 Market St, Lowell, MA 01852. </strong>Receptions will be held at the other galleries listed on October 26th as well. For more information please visit: <a href="http://thebrush.org/printshows.html" style="" title="">http://thebrush.org/printshows.html</a><br /><span style=""></span><br />Lowell Telecommunications Corp (LTC) Contact:&nbsp;<br />Jessica Wilson<br />Phone : 978-364-5150<br />E-mail: jwilson@ltc.org<br /></div>]]></content:encoded></item><item><title><![CDATA[Carl Jung reminds us that "becoming is a choice!"]]></title><link><![CDATA[https://www.naturaldisastercolor.net/blog/carl-jung-reminds-us-that-becoming-is-a-choice]]></link><comments><![CDATA[https://www.naturaldisastercolor.net/blog/carl-jung-reminds-us-that-becoming-is-a-choice#comments]]></comments><pubDate>Fri, 11 Oct 2013 00:16:41 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.naturaldisastercolor.net/blog/carl-jung-reminds-us-that-becoming-is-a-choice</guid><description><![CDATA[QUARTET features the Natural Disaster Color series by Petronio Bendito in conjunction with works from three other artists.&nbsp;A video by the Visual Resource Library, Rueff School of Visual and Performing Arts, Purdue University (2013).&nbsp;   	                  		 	   QUARTET/USA Edition: Senih Cavusoglu | Umit Inatci | Petronio Bendito | Min Kim ParkAugust 20 - September 6, 2013Faculty exchange exhibition featuring work by two faculty members from Eastern Mediterranean University in North Cy [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">QUARTET features the Natural Disaster Color series by Petronio Bendito in conjunction with works from three other artists.&nbsp;A video by the Visual Resource Library, Rueff School of Visual and Performing Arts, Purdue University (2013).&nbsp;</div>  <div class="wsite-youtube" style="margin-bottom:10px;margin-top:10px;"><div class="wsite-youtube-wrapper wsite-youtube-size-auto wsite-youtube-align-left"> 	<div class="wsite-youtube-container">                  		<iframe src="http://www.youtube.com/embed/3E8KIKczmQQ?wmode=opaque" frameborder="0" allowfullscreen></iframe> 	</div> </div></div>  <div class="paragraph" style="text-align:left;">QUARTET/USA Edition: Senih Cavusoglu | Umit Inatci | Petronio Bendito | Min Kim Park<br />August 20 - September 6, 2013<br /><br />Faculty exchange exhibition featuring work by two faculty members from Eastern Mediterranean University in North Cyprus and two faculty members from Purdue University. The exhibition examines the peculiar possibilities of visual design and photography within broader multidisciplinary contexts and processes, while providing a platform to cultivate international academic and cultural exchanges. The exhibition includes work by artists Senih Cavusoglu and Umit Inatci from EMU, North Cyprus, and associate professor Petronio Bendito and assistant professor Min Kim Park from Purdue.&nbsp;<br /></div>]]></content:encoded></item><item><title><![CDATA["When Storm Is Collaborator" by Rachel Wolff]]></title><link><![CDATA[https://www.naturaldisastercolor.net/blog/when-storm-is-collaborator-by-rachel-wolff]]></link><comments><![CDATA[https://www.naturaldisastercolor.net/blog/when-storm-is-collaborator-by-rachel-wolff#comments]]></comments><pubDate>Mon, 26 Aug 2013 13:30:47 GMT</pubDate><category><![CDATA[abstract art]]></category><category><![CDATA[art]]></category><category><![CDATA[color]]></category><category><![CDATA[gallery]]></category><category><![CDATA[hurricane]]></category><category><![CDATA[natural disaster]]></category><category><![CDATA[sandy]]></category><guid isPermaLink="false">https://www.naturaldisastercolor.net/blog/when-storm-is-collaborator-by-rachel-wolff</guid><description><![CDATA[Writer Rachel Wolff captures the impact of natural disasters on art processes in this revealing article. The article discusses how&nbsp;"personal loss has become subject and challenge for artists hit by disasters like Sandy and Katrina." Historically, artists have reflected on their lived experiences through their practices and offered us new insights about the human condition.[read the article at ARTnews: http://www.artnews.com/2013/04/22/art-inspired-by-sandy] [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">Writer Rachel Wolff captures the impact of natural disasters on art processes in this revealing article. The article discusses how&nbsp;"personal loss has become subject and challenge for artists hit by disasters like Sandy and Katrina." Historically, artists have reflected on their lived experiences through their practices and offered us new insights about the human condition.<br /><br />[read the article at ARTnews: h<a href="ttp://www.artnews.com/2013/04/22/art-inspired-by-sandy" target="_blank">ttp://www.artnews.com/2013/04/22/art-inspired-by-sandy</a>]<br /></div>]]></content:encoded></item><item><title><![CDATA[Test strips, overlay studies, APs...]]></title><link><![CDATA[https://www.naturaldisastercolor.net/blog/test-strips-overlay-studies-aps]]></link><comments><![CDATA[https://www.naturaldisastercolor.net/blog/test-strips-overlay-studies-aps#comments]]></comments><pubDate>Mon, 05 Aug 2013 15:29:44 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.naturaldisastercolor.net/blog/test-strips-overlay-studies-aps</guid><description><![CDATA[       CULTURAL WORKER: In preparation for the upcoming QUARTET&nbsp;exhibition, USA edition, at&nbsp;Rueff Galleries, Purdue University. The exhibition features works by Petronio Bendito (Natural Disaster Color series), Min Kin Park, Senih Cavusoglu and Umit Inatci (http://www.cla.purdue.edu/RueffGalleries). Thank you for supporting the arts! [...] ]]></description><content:encoded><![CDATA[<div><div class="wsite-image wsite-image-border-thin " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.naturaldisastercolor.net/uploads/6/6/8/9/6689706/3141662_orig.jpeg" alt="Picture" style="width:100%;max-width:970px" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;">CULTURAL WORKER: In preparation for the upcoming QUARTET&nbsp;exhibition, USA edition, at&nbsp;Rueff Galleries, Purdue University. The exhibition features works by Petronio Bendito (Natural Disaster Color series), Min Kin Park, Senih Cavusoglu and Umit Inatci (<a href="http://www.cla.purdue.edu/RueffGalleries/">http://www.cla.purdue.edu/RueffGalleries</a>). <br /><br /><em>Thank you for supporting the arts!</em><br /></div>]]></content:encoded></item><item><title><![CDATA[Is Digital printmaking really printmaking?]]></title><link><![CDATA[https://www.naturaldisastercolor.net/blog/isdigital-printmaking-really-printmaking]]></link><comments><![CDATA[https://www.naturaldisastercolor.net/blog/isdigital-printmaking-really-printmaking#comments]]></comments><pubDate>Fri, 19 Jul 2013 13:07:36 GMT</pubDate><category><![CDATA[abstract art]]></category><category><![CDATA[art]]></category><category><![CDATA[color]]></category><category><![CDATA[digital art]]></category><category><![CDATA[digital printmaking]]></category><category><![CDATA[gallery]]></category><category><![CDATA[natural disaster]]></category><category><![CDATA[new media]]></category><category><![CDATA[printmaking]]></category><guid isPermaLink="false">https://www.naturaldisastercolor.net/blog/isdigital-printmaking-really-printmaking</guid><description><![CDATA[Here's an archive of a live discussion about this issue at Redbubble. Also see a definition&nbsp;in the glossary of of&nbsp;a reputable printmaking company (Pace Print). In my opinion, the key issue to be addressed&nbsp;is whether&nbsp;the&nbsp;artwork in&nbsp;question is&nbsp;a limited&nbsp;edition (using the same printer, same printer profile, numbered, signed, etc.) or unlimited reproductions (any printer, any printer profile, etc.). Digital prints are no more than a creative&nbsp;output capt [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">Here's an <a href="http://www.redbubble.com/groups/printmakers-and-printmaking/forums/41/topics/67180-is-digital-printmaking-really-printmaking" title="">archive of a live discussion</a> about this issue at Redbubble. Also see a definition&nbsp;in the <a href="http://www.paceprints.com/techniques" title="">glossary</a> of of&nbsp;a reputable printmaking company (<a href="http://www.paceprints.com/techniques" title="">Pace Print)</a>. In my opinion, the key issue to be addressed&nbsp;is whether&nbsp;the&nbsp;artwork in&nbsp;question is&nbsp;a limited&nbsp;edition (using the same printer, same printer profile, numbered, signed, etc.) or unlimited reproductions (any printer, any printer profile, etc.). D<span style="font-size: 1em; line-height: 1.5;">igital prints are no more than a creative&nbsp;output captured with ink on a substrate (paper, canvas...) for the delight of the viewer's imagination.&nbsp;In fact,&nbsp;</span>similarly<span style="font-size: 1em; line-height: 1.5;">&nbsp;to traditional&nbsp;</span>printmaking<span style="font-size: 1em; line-height: 1.5;">, t</span>he substrate that I use to output my work greatly&nbsp;affects its outcome, consequently impacting my own creation process. I consider my limited edition&nbsp;artworks as a part of<span style="font-size: 1em; line-height: 1.5;">&nbsp;a 'digital printmaking' process.</span><br /><span style="font-size: 1em; line-height: 1.5;"></span></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.naturaldisastercolor.net/uploads/6/6/8/9/6689706/9609321_orig.png" alt="Picture" style="width:100%;max-width:820px" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  ]]></content:encoded></item></channel></rss>